+Lorenz Attractor, 2012

Lorenz Attractor, 2012

+Bifurcation, 2012

Bifurcation, 2012

+My first catalogue with Neutral Ground just arrived! it goes on sale this Saturday, but you can order it here now.

My first catalogue with Neutral Ground just arrived! it goes on sale this Saturday, but you can order it here now.

+Descending, Selective Laser Sintered Polyamide Print, 20” x 6” x 8”, 2011

DescendingSelective Laser Sintered Polyamide Print, 20” x 6” x 8”, 2011

+Descending, Selective Laser Sintered Polyamide Print, 20” x 6” x 8”, 2011

DescendingSelective Laser Sintered Polyamide Print, 20” x 6” x 8”, 2011

+Sol Lewitt’s Floor Piece #4 - John G. Hampton, 2011

Sol Lewitt’s Floor Piece #4 - John G. Hampton, 2011

+Felix Gonzalez-Torrés’ Passport - John G. Hampton, 2011

Felix Gonzalez-Torrés’ Passport - John G. Hampton, 2011

+Hans Haacke’s Condensation Cube, John G. Hampton, 2011

Hans Haacke’s Condensation Cube, John G. Hampton, 2011

+Janine Antoni’s Gnaw, John G. Hampton, 2011

Janine Antoni’s Gnaw, John G. Hampton, 2011

+Hans Haacke’s Blue Sail, John G. Hampton, 2011

Hans Haacke’s Blue Sail, John G. Hampton, 2011

+“Nature in the Age of Mechanical Reproduction” Exhibition Review in BlackFlash Magazine by Margaret Bessai, 2011

“Nature in the Age of Mechanical Reproduction” Exhibition Review in BlackFlash Magazine by Margaret Bessai, 2011

+“natural Forms” Exhibition review on Regina Urban Ecology by Martin Gourlie

“natural Forms” Exhibition review on Regina Urban Ecology by Martin Gourlie

+“Nature, My Grass” Exhibition review in Prairie Dog Magazine by Gregory Beatty

“Nature, My Grass” Exhibition review in Prairie Dog Magazine by Gregory Beatty

+Installation shot of natural Forms at Neutral Ground, curated by John G. Hampton, 2010
In natural Forms, five contemporary Canadian artists produced works that investigated our relationship with nature through representation. Through aesthetics and ethics, lawn care and environmentalism, oil drilling and tree planting, or painting and writing; western culture has continually attempted to manufacture an authentic natural. The artists in natural Forms do not merely imitate nature, nor do they attempt solely to influence how we reconstruct nature through their representations; instead they critically investigate how our ever-changing societal ideals alter nature and our relationship with the “natural world.” 

Installation shot of natural Forms at Neutral Ground, curated by John G. Hampton, 2010

In natural Forms, five contemporary Canadian artists produced works that investigated our relationship with nature through representation. Through aesthetics and ethics, lawn care and environmentalism, oil drilling and tree planting, or painting and writing; western culture has continually attempted to manufacture an authentic natural. The artists in natural Forms do not merely imitate nature, nor do they attempt solely to influence how we reconstruct nature through their representations; instead they critically investigate how our ever-changing societal ideals alter nature and our relationship with the “natural world.” 

+Kentucky Perfect - Robert Hengeveld, 2010
Exhibited as part of natural Forms at Neutral Ground, Kentucky Perfect mechanically cares for one strip of lawn, providing it with periodic watering, mowing and artificial light to maintain it as the textbook perfect lawn.

Kentucky Perfect - Robert Hengeveld, 2010

Exhibited as part of natural Forms at Neutral Ground, Kentucky Perfect mechanically cares for one strip of lawn, providing it with periodic watering, mowing and artificial light to maintain it as the textbook perfect lawn.